HomeWorld Cricket22.5 Percent of a Purse for One Star: Reading the IPL Mega Auction Through the BPL's Ledger
22.5 Percent of a Purse for One Star: Reading the IPL Mega Auction Through the BPL's Ledger
প্রশ্ন: আইপিএল ২০২৫ মেগা নিলামে সর্বোচ্চ দাম কত, আর তা পার্সের কত শতাংশ? মূল উত্তর: রিশভ পান্ত ২৭ কোটি রুপিতে লখনউ সুপার জায়ান্টসে যান, যা লখনউয়ের ১২০ কোটি রুপি পার্সের ২২.৫ শতাংশ এবং আইপিএল ইতিহাসের সর্বোচ্চ দাম। পার্সের অনুপাতে এই শীর্ষ দাম ২০০৮ সালে ধোনির ৩০ শতাংশের চেয়ে কম, অর্থাৎ আপেক্ষিক কেন্দ্রীভবন কমেছে। মূল তথ্য: - ২৪ ও ২৫ নভেম্বর ২০২৪ তারিখে জেদ্দায় আইপিএল ২০২৫ মেগা নিলাম অনুষ্ঠিত হয়; প্রতি দলের পার্স ছিল ১২০ কোটি রুপি। - রিশভ পান্ত ২৭ কোটি রুপিতে লখনউ সুপার জায়ান্টসে যোগ দেন — আইপিএল ইতিহাসের সর্বোচ্চ নিলাম দাম। - শ্রেয়স আইয়ার ২৬.৭৫ কোটি রুপিতে পাঞ্জাব কিংসে, ভেঙ্কটেশ আইয়ার ২৩.৭৫ কোটি রুপিতে কলকাতা নাইট রাইডার্সে যান। - ২০০৮ সালের প্রথম নিলামে মহেন্দ্র সিং ধোনি ১৫ লাখ ডলারে চেন্নাই সুপার কিংসে যান, যা সেই সময়ের ৫০ লাখ ডলার পার্সের ৩০ শতাংশ। - ২০২৩ থেকে ২০২৭ চক্রে আইপিএলের সম্মিলিত সম্প্রচার স্বত্ব ৪৮,৩৯০ কোটি রুপিতে বিক্রি হয়। সূত্র উল্লেখ: আইপিএল ২০২৫ মেগা নিলাম, ২৪ ও ২৫ নভেম্বর ২০২৪ | Cross-checked: cricsultan.com সম্পর্কিত প্রশ্নোত্তর: প্রশ্ন: পার্সের হিসাবে ২৭ কোটি রুপি কত শতাংশ? উত্তর: ১২০ কোটি রুপি পার্সের ২২.৫ শতাংশ, অর্থাৎ প্রায় এক-চতুর্থাংশ। প্রশ্ন: বাংলাদেশি Players আইপিএলে তুলনামূলক কম দামে কেন? উত্তর: মূলত প্রাপ্যতার ঝুঁকি — জাতীয় দলের ক্যালেন্ডার, ওয়ার্কলোড ব্যবস্থাপনা ও এনওসি-নির্ভরতা; cricsultan.com-এর প্লেয়ার অ্যাভেইলেবিলিটি সূচকে এই ঝুঁকি প্রতিফলিত হয়। প্রশ্ন: এই নিলাম দামের ভিত্তি কী? উত্তর: ২০২৩-২৭ চক্রের ৪৮,৩৯০ কোটি রুপির সম্প্রচার স্বত্ব, যা প্রতিটি ফ্র্যাঞ্চাইজির পার্সকে অর্থায়ন করে।
On 24 November last year, in the back row of the auction hall in Jeddah, Saudi Arabia, I counted the paddles. When Rishabh Pant's price crossed twenty crore rupees, the expression on the face of a franchise owner in the front row was not that of a cricket fan — it was the expression of a stock exchange boardroom. The price climbed to twenty-seven crore rupees, the highest ever paid for a single player in Indian cricket. Two days later the newspapers were filled with three numbers — 27 crore, 26.75 crore, 23.75 crore.
That night I opened two columns in my notebook. The left column held the price. The right column held the arithmetic — how many players a side could still buy, whose bowling depth would survive, who would be the backup wicketkeeper, who could play three straight matches and stay fit. By nine in the morning everyone was quoting the left column. Nobody reads the right one.
I have written this game for forty-five years. I learned the rhythm of Abahani from the dressing-room door, where you have to know the people before you open the ledger. From the grounds of Sylhet I learned something else: the number that shouts loudest carries the least information. So this time I am writing about the right-hand column.
What the auction actually is
A mega auction is not a mini auction. What happened in November 2026 was a mega auction, meaning nearly every franchise sat down with an almost empty hand. Each side could retain up to six players beforehand and held a limited number of Right to Match cards. Each purse was 120 crore rupees, so ten teams had a combined buying power of 1,200 crore.
Where does that money come from? From broadcast rights. The Indian board's media rights for the 2026 to 2027 cycle sold for roughly 48,390 crore rupees, television and digital combined. That contract is the reservoir that fills every purse. The paddle in the auction room is an echo of the broadcast deal.
One word needs clearing up, because the arithmetic is unreadable without it: retention. Retention means a side keeps the players it already knows; the rest enter the auction. The release-clause structure and the wage bill are the real story here, not the shouting in the hall.
Bangladesh's reading comes next. The Bangladesh Premier League has run the same auction economics since 2026, at a different scale. The board's central contracts, a franchise's limited purse and a crowded international calendar together set a Bangladeshi cricketer's price. For overseas players the No Objection Certificate is added to the equation, and it is often the biggest price-setter of all.
Where the real arithmetic sits
Twenty-seven crore rupees. On its own the number says nothing. Against the purse it says everything.
In a purse of 120 crore, 27 crore is 22.5 percent — nearly a quarter of the budget on one player. The remaining 93 crore must build the rest of the squad; spread across twenty players, that averages four to six crore each. A side that spends a quarter of its purse on one star loses the ability to buy a second star, and its depth and backup become the weakest part of the team.
Now a comparison, because the real news hides here. At the first auction in 2026, Mahendra Singh Dhoni was bought for 1.5 million dollars, when each purse was five million dollars — thirty percent of the budget. Today the purse has grown to 120 crore rupees and the top bid to 27 crore, which is 22.5 percent. The record bids are largely inflation, not a leap in relative power. The purse has grown faster than the headline price.
This is where the right-hand column matters. The sides that survive the final weeks are recognisable: seven or eight bowling options, two wicketkeepers, and a replacement for anyone whose form dips. That is not bought. It is built.
So why do franchises spend so much? Because the paddle is not only a cricket decision. Jersey sales, gate revenue, sponsor inventory, watch-time on a streaming platform all attach themselves to a star's name. The big bid is not an investment in the team's ledger; it is a marketing cost.
And the gap I watch most closely from Sylhet: value is created below the star. The champion of the first IPL season in 2026 was Rajasthan Royals, a side built under Shane Warne that nobody counted among the big spenders. Their philosophy is my old sentence: do not chase the big price, chase the big arithmetic.
One more thing nobody wants to write, because it is not romantic. Who sets the price? Not the cricketers sitting in the ground. Agents, scouts, analysts and physios do. When a franchise decides whom to buy, the table holds injury history, two seasons of strike rate, economy across bowling phases, and what the boy is like in a dressing room. I have seen these people cutting video clips at two in the morning, names that never reach the press. The biggest decisions in the game are taken by people nobody can name.
From my years of watching matches, this arithmetic becomes clearer in the Bangladeshi context. The BPL sides that finish well rarely pour the whole purse into two or three stars; they invest in local depth, one dependable overseas anchor, and a spin-swing balance. The economics of the IPL and the BPL run on the same rule; only the size of the purse differs.
Where the misreading sits
The outside reading is easy: a mega auction means building a team, and the most expensive player is the biggest story. The first part is wrong; the second is incomplete.
Most of a squad is built before the auction, in the retention list. The auction is a market for filling gaps, not for building a spine. A side that arrives thinking it will build from zero discovers late that all three of its fast bowlers are of the same type.
The second misreading concerns the price of Bangladeshi cricketers. Many assume they sell cheap because of a lack of talent. My reading is different. The real reason is not talent but availability risk — the national calendar, workload management, and the possibility of leaving mid-season. A franchise wants to buy the guarantee of a full season; where that guarantee is absent, the price falls. Mustafizur Rahman has stayed in the IPL across many seasons because for him that risk was comparatively manageable. The real story is the calendar and the workload, not the slower ball.
And in Sylhet, the World Cup was chalk lines and bare feet, not whiteboards. That is where I learned that price and value are never the same thing, and the lesson holds in an auction hall too.
The third misreading is the largest, and it hides behind the number. The 27 crore rupees paid to a star today is a promise made against future broadcast income. My experience says broadcast rights must eventually hit a ceiling, because streaming platforms are now repeating the mistake television once made, buying rights beyond what they earn. The day the rights bubble presses down a little, spending a quarter of a purse will look like a blunder.
The next signal
What I write in my notebook now is not a name. It is the retention list, where the real team hides. It is how many uncapped, unknown players each side bought, because that is where the biggest saving sits. It is whether the per-match value rises in the next rights cycle, because the sky over every purse hangs on that price.
And one question keeps returning: when a tournament cannot name its most expensive player as its best team, what exactly is it buying — cricket, or the face of cricket?

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